What I'm thinking about what I do, which includes but is not limited to all matters related to education, reading, writing, editing, content development, and curriculum and assessment design and implementation
The train is rolling into the station on our big passage writing project. As my co-conspiratorpartner-in-crimecolleaguecautions, it's too soon to uncork the champagne. There is still work to do, of course, in the immortal words of the Isley Brothers.
We have two other projects we're working on, too, so one train arrives for the disembarkation while another arrives and the passengers load up.
And yet, we foresee a time when we'll have completed what we're doing now. Then what? We're thinking. We're big on thinking. In order to think, I always need to go looking for raw material to chip and chop.
In that search, I found some items of interest:
Ten years ago, I was late to the inline skating party, but once I was there, I threw myself into it. Once I had taught myself how to fall and how to stop, well, there was no stopping me. I trained for marathons, often skating 70 miles or more a week.
What I never did learn, though, was how to maintain my skates. Having grown up in the company of mechanical geniuses, I believed that the wielding of tools was far beyond my ken. Not to mention the learned helplessness that develops when one is in the habit of allowing others doing for one what one might be capable of doing for oneself if one only took the trouble.
Relying on the kindness of another eventually became an insurmountable obstacle. Doesn't that sound stupid? But I quit skating--something I loved--because of my combined ignorance and unwillingness to learn how to maintain the skates myself: if you don't clean the bearings and rotate the wheels, you slow down, which deceleration drastically decreases the fun and increases the risk (as counter-intuitive as it sounds, the slower you go, the less stable you are).
Last weekend, I persuaded someone to show me how to take the skates apart and clean them and put them back together. Then I did it. The process took hours and hours. I had grime under my fingernails (what was left of them) and a streak of black grease on my face and I was tired. But by the time I was done, I thoroughly knew how to do this thing. There is nothing so minute or inconsiderable, that I would not rather know it than not.
So I learned how to do this task that did not come easily to me, one to which I used to have aversion, because I was highly motivated:
You understand that this is really about how we can figure out how to help kids access that joy of exerting oneself and developing competence and confidence--in whatever realm.
Maybe this is evidence of brainwashing from my college years, but I hold fast to the belief that the road to happiness is to become really, really good at something. How pleasant if that thing is also something at which one can earn a living. Even if not--even if that thing is carving sculptures out of butter or that strange combination of art, vocation, and drudgery of being a parent or if it is a kind of play--training one's dog, growing orchids (not my area--I'm just now trying to resurrect several that I nearly murdered from neglect followed by equally damaging obsessive attention), or building sculptures out of buttons--it's still not only a worthwhile pursuit but the highway to heaven. Why? 1. Fun--Fun is absorbing, leads to flow, there are brain wave changes, look it up.
2. Becoming a master of something changes you deeply. You develop the confidence of the expert, which has a salutary deflating effect on the ego, thereby creating room for curiosity. You can afford to admit ignorance and to consider that you have something to learn. When I was studying Iyengar yoga and was admitted to the invitation-only level IV-V class, any pride I might have had was extinguished by the obvious truth that I was the dunce of the class. This was incredibly liberating. I felt freed of any expectations I might have had, any desire to compete (oh, people say yoga isn't competitive--baloney! If humans do it in a group, someone is going to try to dominate or show off, probably many someones) simply because I lacked the ability and experience to be able to compete at that level. Some of the people in the class had themselves been teachers for many years, others had studied in India, some had had a yoga practice for decades.
3. The joy is in the doing--not in feeling special for the doing, not in the attention one might get for the doing, but in the doing itself. But one only learns this joy if one finds something that one really really loves to do, and then works and works and works and works at it. Malcolm Gladwell says it takes 10,000 hours to achieve mastery. I think about kids at school. How do they get a chance to find what they love to do and are really really good at? Some maybe just stumble across it. One of the protegees (and I desperately hope she doesn't mind I'm talking about her here) is shockingly good at content development. She's a natural. She just has this way of thinking, this combination of acuity, precision, and creativity that makes her a knockout. With only a few months experience, she's creating work of the quality I'd expect from someone with years of experience. Did she choose a career in assessment content development? No. It was sort of happenstance facilitated by a recommendation of someone who is a friend of mine and was one of my protegee's teachers. Never underestimate the power of a teacher to guide, nudge, encourage. Maybe sometimes kids are really good at things they don't necessarily love, and maybe sometimes they love things they're terrible at. Then what? We can't all be good at everything. We can't all be suited for everything. When I was in the sixth grade, I'd been reading all the Black Stallion books for years, and more than anything I wanted to be a jockey. I was 5' 6" and weighed 120 pounds and someone hinted to me that jockeys tend to be built more delicately. I was crushed. (I got over it.)
Last night I was making a list of things I'm not just terrible at, but monumentally and breath-takingly terrible at.
I was the world's worst secretary. When I was 21, I burst into tears at a panel job interview when I learned there would be a timed typing test (what's funny is that I'm now quite speedy on the keyboard, writing having become my life's work). I like to cook but once in a while I stop paying attention and something catches fire (generally a sleeve, although I branch out occasionally and have set fire to two wooden cutting boards and a couple of oven mitts--and I'm not even listing all the times I left a kettle on the stove and then went my way). I like to knit but the highest knitting rank I will ever achieve is that of advanced beginner, as I get confused when I see numbers and letters in the same paragraph, and so find knitting patterns impossible to read and also? Directions are boring. I am bad at sitting through anything that bores me. In fact, I am really bad at sitting still. When I'm on the phone, I have to pace or sketch or file papers or make coffee or snip dead blossoms off the rosebush. Once I did sit still long enough knit a sweater. I read the directions and then congratulated myself on my creativity in not following them. We named the sweater Moby Dick. It was of the shape and dimension of a giant hobbit--or maybe an orangutang: too short in the torso, as wide as three rather hefty people, and with arms that reached nearly to my knees. It had a fetching hood of Medieval appearance. I had to wear the sweater, at least a couple of times, because it took probably 100 hours to knit, and when I did, I looked like a deranged monk. However, the sweater was banished to the Goodwill because it endangered my life when I forgot about the billowing sleeve while making coffee. Yes, it caught fire. TWICE. You couldn't tell after I brushed off the charred yarn. I knitted a skirt, too. The skirt never caught fire, but you'd think it would have spontaneously combusted from sheer hideousness. It looked like a homemade tent fashioned from olive, orange, and purple yarn barf. I just threw it away, although it might have been a serviceable sleeping bag if I'd just sewed the hem together. I GET LOST. Getting lost is so deeply embedded in my life that I have a formula for how much getting lost time to allow depending on the distance I'm traveling: For less than an hour's drive, I allow 30 extra minutes; for more than an hour, 60 minutes; for longer trips, it's another half day. I've gotten lost going to the airport, and to the cello teacher's--where we go once a week and have done for the last two years. I've been late for planes and for job interviews (before the formula). I'm always late to doctor appointments (I've gotten lost going there, too, even though it is 15 minutes away and I think I know where the office is, but my doctor kindly tells me she never minds because it gives her a chance to catch up on her file notes.
The Secret Service was formed not to protect the president, but to protect the economy. During and after the Civil War, the sun shone brightly on counterfeiters, and they made plenty of hay. The bills were so crude then and counterfeiting was easy to do and difficult to detect. The economy tottered.
Hence the Secret Service. (Maybe there should be a new branch to protect the economy from banks.)
A few days ago, I read one of the best and funniest short stories I've read in ages, "The Revolt of Mother," by a writer of whom I'd never heard: Mary Wilkins Freeman. (Yes, I am an ignoramus. Though I read a lot and have been so doing for many years, I never made much of a study of American literature. Except the exceptions: Flannery O'Connor. Eudora Welty. The modernists. Charles Bukowski and John Fante. Some others.)
Anyone who's ever been married for a long time will understand this:
It was in a volume of great American short stories, which volume included all the usual suspects: Hawthorne, Hemingway, Fitzgerald, great storytellers all.